Las óleos de todo Jean-Honore Fragonard

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78914

A Boy as Pierrot

between 1776(1776) and 1780(1780) Oil on canvas 60 x 50 cm (23.6 x 19.7 in) cjr

79439

A Boy as Pierrot

between 1776(1776) and 1780(1780) Oil on canvas Width: 50 cm (19.7 in). Height: 60 cm (23.6 in). cjr

58845

A Young Girl Reading

A Young Girl Reading, c. 1776, National Gallery of Art, Washington, DC.

29530

Adoration of the Shepherds

c. 1775 Oil on canvas, 73 x 93 cm

90239

Badende

1765-1722 Medium Oil on canvas Dimensions Deutsch: 65 x 81 cm cjr

53835

Blindbock

mk234 probably c. 1765 216x198cm

66525

Blindekuhspiel

1773-1776 Oil on canvas 216 ?? 198 cm

70937

Blindekuhspiel

Medium Oil on canvas Dimensions Deutsch: 216 x 198 cm

70640

Cephale et Procris

Medium Oil on canvas Dimensions Expression error: Missing operand for *78 ?? 178 cm

69102

den vackra tjansteflickan

olja pa duk. 46x60.5 se

84748

Der Garten der Villa d'Este

Date ca. 1762(1762) Medium Oil on canvas Dimensions 38 x 46 cm cjr

68940

Die Musikstunde

1769(1769) oil on canvas 110 X 120 cm (43.31 X 47.24 in)

10314

Education is Everything

1780oil on canvas Museum of Art, Sao Paolo

66521

Education is Everything

from 1775(1775) until 1780 Oil on canvas 55.5 ?? 66 cm (21.85 ?? 25.98 in)

70597

Education is Everything

Medium Oil on canvas Dimensions Expression error: Missing operand for *55.5 ?? 66 cm

73545

Huile sur toile

Huile sur toile - 64 X 79,5 cm, National Gallery of Art cjr

10309

Inspiration

1769 canvas, Louvre

78112

Inspiration

1769(1769) Oil on canvas 80 x 64 cm (31.5 x 25.2 in) cjr

97866

Jupiter and Callisto

1778(1778) Medium oil on canvas Dimensions 46 x 55.5 cm cyf

88132

Koresus und Kallirhoe

1765(1765) Medium Oil on canvas cjr

87060

La visite a la nourrice

1775(1775) Medium Oil on canvas Dimensions 64 x 79.5 cm (25.2 x 31.3 in) cyf

31805

Love Letters

mk76 Painted in 1771-73 Oil on canvas

31808

Love the avenger

mk76

31807

Love Triumphant

mk76 Painted in 1771-73 and 1790-91

70847

Madchen im Bett

Medium Oil on canvas Dimensions 89 x 70 cm

38742

Park Landscape

mk141 c.1760s Red chalk on paper 33.9x46.8cm

10308

Portrait of a Singer

Holding a Sheet of Music, 1769, oil on canvas

75722

Portrait of Denis Diderot

ca. 1769(1769) Oil on canvas 81.5 ?? 65 cm (32.1 ?? 25.6 in) cjr

76083

Portrait of Elisabeth-Sophie-Constance de Lowendhal, Countess of Turpin de Crisse

ween 1775(1775) and 1785(1785) Oil on canvas 64 ?? 54 cm (25.2 ?? 21.3 in) cjr

79879

Portrait of Marie-Madeleine Guimard (1743-1816), French dancer

ca. 1770(1770) Oil on canvas 81.5 x 65 cm (32.1 x 25.6 in) cjr

71370

Portrat des Abbe de Saint-Non in einem Phantasiekostum

c. 1775 Oil on canvas

81655

Psyche showing her Sisters her Gifts from Cupid

Date 1753(1753) Medium Oil on canvas Dimensions 168.3 x 192.4 cm (66.3 x 75.7 in) cjr

31810

Pursuing a dove

mk76

32587

Recreation by our Gallery

mk79

32598

Recreation by our Gallery

mk79 1770

31806

Reverie

mk76 Painted in 1771-73 Oil on canvas

93938

Selbstportrat, Oval

c. 1760-1770 Medium oil on canvas cjr

71452

Souvenir

Date 1775 - 78 Medium Oil on panel Dimensions 25 x 19 cm

10304

Stolen Kiss Detail

oil on canvas, Metropolitan Museum of Art, New York

92765

The Adoration of the Shepherds.

c. 1775(1775) Medium oil on canvas Dimensions 73 X 93 cm (28.7 X 36.6 in) cjr

10305

The Bathers

1765, Louvre

30161

The Bathers

mk64 before 1756 Oil on canvas 64x80cm Paris,Musee du Louvre

66373

The Blind man bluff game

1751 Oil on canvas 117 ?? 91 cm (46.06 ?? 35.83 in)

56141

the bolt

mk247 c.1777,oil on canvas,28.5x36.5 in,73x93 cm,louvre,paris,france

58842

The Captured Kiss, the Hermitage, St. Petersburg

The Captured Kiss, the Hermitage, St. Petersburg

81585

The Happy Accidents of the Swing

Date 1767-1768 Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cjr

85604

The Happy Accidents of the Swing

1767-1768 Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cyf

31809

The Jester

mk76

85105

The lock

71 x 92 cm (28 x 36.2 in) ca. 1776-79 Oil on canvas cjr

10310

The Love Letter

1770oil on canvas Metropolitan Museum of Art, New York

10312

The Lover Crowned

1771Frick Collection at New York

31804

The Lover Crowned

mk76 Painted in 1771-73 Oil on canvas

60421

The Lover Crowned

1771Frick Collection at New York

10311

The Meeting

771-73, Frick Collection NY

31803

The Meeting

mk76 Painted in 1771-73 Oil on canvas

26682

The Musical Contest

mk53 c.1751 oil on canvas 62x74cm

69653

The Pond

oil on canvas painting by Jean-Honore Fragonard

31802

The Progress of love

mk76 Painted in 1771-73 Oil on canvas

66374

The Progress of Love: The Pursuit

1773 Oil on canvas 318 x 216 cm

10307

The See-Saw

canvas

71984

The See-Saw

1750(1750) Oil on canvas 120 X 94.5 cm (47.24 X 37.2 in) (114 X 90 cm (44.88 X 35.43 in))

31811

The Sentinel

mk76

10315

The Stolen Kiss

late 1780s, oil on canvas, The Hermitage at St. Petersburg

30646

The Stolen Kiss

mk68 Oil on canvas Saint Petersburg, State Hermitage Museum, 1787-1789 France

68828

The Stolen Kiss

oil on canvas 45 X 55 cm (17.72 X 21.65 in) Late 1780s

71787

The Stolen Kiss

3. Viertel 18. Jh. Oil on canvas 45 x 55 cm (17.72 x 21.65 in)

10306

The Swing

1766 Wallace collection in London

26683

The Swing

mk53 1767 oil on canvas 81x64.2cm

58844

The Swing

The Swing (French: L'escarpolette), 1767, Wallace Collection, London

23291

The Swing (nn03)

c 1768 Oil on canvas 81 x 64.5 cm 31 7/8 x 25 3/8 in Wallace Collection London

10313

Young Girl Reading

1776, oil on canvas, National Gallery of Art at Washington

Jean-Honore Fragonard

French Rococo Era Painter, 1732-1806 was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Regime, Fragonard produced more than 550 paintings , of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. He was born at Grasse, Alpes-Maritimes, the son of François Fragonard, a glover, and Françoise Petit. He was articled to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Boucher, who, recognizing the youth's rare gifts but disinclined to waste his time with one so inexperienced, sent him to Chardin's atelier. Fragonard studied for six months under the great luminist, then returned more fully equipped to Boucher, whose style he soon acquired so completely that the master entrusted him with the execution of replicas of his paintings. Though not yet a pupil of the Academy, Fragonard gained the Prix de Rome in 1752 with a painting of "Jeroboam Sacrificing to the Golden Calf", but before proceeding to Rome he continued to study for three years under Charles-Andre van Loo. In the year preceding his departure he painted the "Christ washing the Feet of the Apostles" now at Grasse cathedral. On September 17, 1756, he took up his abode at the French Academy in Rome, then presided over by Charles-Joseph Natoire. While at Rome, Fragonard contracted a friendship with a fellow painter, Hubert Robert. In 1760, they toured Italy together, executing numerous sketches of local scenery. It was in these romantic gardens, with their fountains, grottos, temples and terraces, that Fragonard conceived the dreams which he was subsequently to render in his art. He also learned to admire the masters of the Dutch and Flemish schools (Rubens, Hals, Rembrandt, Ruisdael), imitating their loose and vigorous brushstrokes. Added to this influence was the deep impression made upon his mind by the florid sumptuousness of Giovanni Battista Tiepolo, whose works he had an opportunity to study in Venice before he returned to Paris in 1761. In 1765 his "Coresus et Callirhoe" secured his admission to the Academy. It was made the subject of a pompous (though not wholly serious) eulogy by Diderot, and was bought by the king, who had it reproduced at the Gobelins factory. Hitherto Fragonard had hesitated between religious, classic and other subjects; but now the demand of the wealthy art patrons of Louis XV's pleasure-loving and licentious court turned him definitely towards those scenes of love and voluptuousness with which his name will ever be associated, and which are only made acceptable by the tender beauty of his color and the virtuosity of his facile brushwork;

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